Tamara

On Saturday 17th February I felt privileged to see Principal Artiste of the Royal Ballet, Tamara Rojo, dancing Odette/Odile in Sir Anthony Dowell's production of Swan Lake in the Royal Opera House, Covent Garden (choreography after Petipa/Ivanov, music by Tchaikovsky, conducted by Martin Yates).

Tamara joined the Royal Ballet in 2000, having already danced in a number of illustrious companies, and she has performed all the major roles of the classical ballets.

Tamara Rojo, Principal Ballerina with the Royal Ballet

In this performance she was breathtaking. The contrasting roles of Odette and Odile are demanding, calling for rapid change of style and personality between acts. The ballerina must transform her hair, makeup and costume, with only a few moments left for thought. As principal dancer Sarah Lamb describes in the programme notes, she must fully embody the white swan and then change everything - her face, her movements, the physical attack to the choreography, and most importantly, the use of her eyes in order to convey the exact opposite of Odette in the role of Odile.

As Odette, Tamara was the vulnerable, frightened swan, locked in an everlasting spell by the wicked Von Rothbart to be released only if she found a man who would swear undying love, never to betray her. Her slow pirouettes were perfectly poised, her developpés immaculate, her balanced arabesques motionless. Her warming to Prince Siegfried (danced by Carlos d'Acosta) as he tenderly declared his love was truly moving.

Tamara Rojo as Odette

A grand ball held by Siegfried's mother in a forlorn attempt to get him to pick a bride (he must have had something on his mind to show such disinterest in the six beauties parading before him) was interrupted by the arrival of von Rothbart and his entourage, including his daughter Odile, disguised as Odette.

In this role, Tamara's dazzling virtuosity was shown to superb effect and at the end of her solo variation in the grand pas de deux, in which her 32 fouettés were executed to perfection, the applause was thunderous.

Tamara Rojo as Odile, with the Prince Siegfried

When Siegfried was finally beguiled by Odile and her father to swear his hand in marriage, they mocked him as the distraught Odette appeared in a vision, and I doubt that Siegfried's despair at realising the deception left a dry eye in the House. Of course the betrayal meant that the spell cast by Von Rothbart could now not be broken except by mutual sacrifice of their lives by drowning themselves in the lake, resulting on the death of von Rothbart (danced by Gary Avis) and allowing the remaining captive swans to resume their lives as mortal girls.

Heavy stuff. I still haven't really come down to earth.